Visionary filmmaker and poet Jean Cocteau responded to the terrors and creative constraints of occupied France with this elaborately realized take on the classic fairy tale BEAUTY AND THE BEAST. Suggested by his longtime collaborator and muse, French actor Jean Marais, the cinematic version of the fable first penned by Jeanne-Marie Leprince de Beaumont became Cocteau’s most celebrated film. Cocteau renders the story of a gentlehearted beast in love with a simple and beautiful girl in the style of the luminous paintings of Dutch master Vermeer. From the quaint and humorous scenes of Beauty’s happy home to the ominous surreal spectacle of the Beast’s enchanted estate, Cocteau transforms the simple tale of tragic love into a surreal vision of death, desire, and beauty. Marais is chilling as the lonely and tormented beast, projecting a wounded love for the glacial yet endearing Beauty (Josette Day), whose simple request for a rose from her father brings tragedy crashing down on her whole family. Cocteau expands upon the cinematic inventiveness first seen in his masterpiece BLOOD OF A POET with mirrors made of water, living statues, and candelabras fashioned from living arms, transforming a children’s fable into a complex and radiant cinematic classic.
A fragile, anxious boy, 12-year-old Oskar is regularly bullied by his stronger classmates but never strikes back. The lonely boy’s wish for a friend seems to come true when he meets Eli, also 12, who moves in next door to him with her father. A pale, serious young girl, she only comes out at night and doesn’t seem affected by the freezing temperatures.Coinciding with Eli’s arrival is a series of inexplicable disappearances and murders. One man is found tied to a tree, another frozen in the lake, a woman bitten in the neck. Blood seems to be the common denominator–and for an introverted boy like Oskar, who is fascinated by gruesome stories, it doesn’t take long before he figures out that Eli is a vampire. But by now a subtle romance has blossomed between Oskar and Eli, and she gives him the strength to fight back against his aggressors. Oskar becomes increasingly aware of the tragic, inhuman dimension of Eli’s plight, but cannot bring himself to forsake her. Frozen forever in a twelve-year-old’s body, with all the burgeoning feelings and confused emotions of a young adolescent, Eli knows that she can only continue to live if she keeps on moving. But when Oskar faces his darkest hour, Eli returns to defend him the only way she can.
Don Birman is a struggling writer who waters down his writer’s block with booze. He shares an apartment with his more responsible brother Nick, who is about to go on a weekend vacation. Nick is worried about leaving Don alone, but Don assures him he will be fine and will use the time alone to write. However, he is not fooling even himself, and plans to go on a bender. After drinking all the alcohol in the house, Don goes to a bar, and while his creativity seems to flow, things go from bad to worse.
Upon returning to small-town America, three World War II veterans have difficulty readjusting to life at home, discovering that both they and their families have irrevocably changed.
A boozing pool shark works his way up the ranks from small pool halls to the big-time in the Midwest. Along the way, he picks up a promoter and a girlfriend, who was a former hooker, and wants to face the challenge of playing “Minnesota Fats”, the best of the best.



